Rigoletto

Giuseppe Verdi (1813–1901) (1851) • Teatro La Fenice, Venice (11 March 1851)

At a palace ball, Rigoletto mercilessly mocks the noblemen whose wives and daughters have been seduced by the Duke of Mantua—until aged Count Monterone bursts in and calls down a terrifying father's curse upon both the Duke and Rigoletto ('La maledizione!'). Shaken to the core as a father himself, Rigoletto hurries home down a dark alley, where the hired assassin Sparafucile offers his services; comparing himself to the assassin ('Pari siamo!—I stab with my tongue, he with a dagger'), Rigoletto enters his walled garden to embrace his secret daughter Gilda. Unknown to Rigoletto, the Duke has already slipped into the garden disguised as a poor student named 'Gualtier Maldè'; left alone, Gilda sings an ecstatic hymn to that fake name ('Caro nome') right as the vengeful courtiers arrive in masks to kidnap her! The next morning at the palace, the courtiers laugh over how they tricked Rigoletto into helping them kidnap his supposed 'mistress'—and inform the delighted Duke that they have brought Gilda right into the palace! The Duke rushes into his bedroom to dishonor her. Moments later Rigoletto enters, humming nonchalantly while secretly searching the room with his eyes for clues. The instant a page reveals the Duke cannot be disturbed, Rigoletto realizes Gilda is inside the Duke's bedroom! Throwing off his jester's mask, he reveals to the stunned courtiers that she is his daughter, hurling himself against the locked doors in fury ('Cortigiani, vil razza dannata') before breaking down in tears to beg for mercy. One month later, Gilda still loves the Duke despite her dishonor. To cure her of her infatuation—and execute his revenge—Rigoletto brings her at night to peer through a crack in the wall of Sparafucile's riverside tavern, where he has paid the assassin 20 scudi to murder the Duke. Disguised as a cavalry officer, the Duke arrives asking for wine and a room, brazenly singing that women are fickle ('La donna è mobile'). In the famous Quartet ('Bella figlia dell'amore'), the Duke seduces Sparafucile's sister Maddalena inside while Gilda weeps outside and Rigoletto vows vengeance. Smitten with the handsome stranger, Maddalena begs her brother to spare him; Sparafucile agrees that if another traveler knocks before midnight, he will kill the substitute instead. Overhearing this, Gilda puts on riding clothes, knocks at the tavern door in the lightning storm, and takes the blade meant for the Duke. At midnight, Rigoletto receives the body in a sack—only to hear the Duke singing 'La donna è mobile' alive in the distance! Tearing open the sack, he finds his dying daughter Gilda and screams: 'Ah, the curse!'

📜 Libretto-Ausgabe, Quellenlinks & Andere Fassungen
Auf dieser Seite verwendete Libretto-Ausgabe
1851 Venice Teatro La Fenice / G. Ricordi & C. Canonical Edition (Francesco Maria Piave)
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Hinweis zu anderen Fassungen dieser Oper

Censorship & Title History: Verdi originally titled the opera 'La Maledizione' ('The Curse'). In Victor Hugo's play 'Le Roi s'amuse', the libertine ruler is King Francis I of France and the hunchbacked jester is named Triboulet. Austrian censors in Venice banned the libretto as 'revoltingly immoral and anti-royal' until Verdi and Piave agreed to demote the King to the historical 'Duke of Mantua' and rename Triboulet 'Rigoletto' (from French 'rigoler', 'to laugh/joke').

🎭 Personen der Handlung
Rigoletto
The hunchbacked court jester to the Duke of Mantua; sharp-tongued and cruel when mocking the courtiers, yet fiercely tender toward his secret daughter Gilda.
Gilda
Rigoletto's innocent teenage daughter, kept hidden in a secluded house to protect her from the corrupt court; she falls in love with the disguised Duke and sacrifices her life to save him.
The Duke of Mantua
A young, handsome, and utterly unscrupulous Renaissance ruler who seduces every woman he sees—including Gilda, to whom he pretends to be a poor student named 'Gualtier Maldè'.
Maddalena
Sister of the hired assassin Sparafucile; she lures victims to his riverside inn, but falls for the Duke and convinces her brother to murder a substitute instead.
🗺️ Character Relationship & Drama Map
Original (IT)
Übersetzung (DE) • Deutsch
Erklärung • Deutsch

Act I — 'Pari siamo!' & 'Caro nome'

A magnificent hall in the Ducal Palace of Mantua; then the secluded courtyard garden of Rigoletto's house at the end of a blind alley.

Scene 2 — Rigoletto's Monologue ('Pari siamo!') & Gilda's Aria ('Caro nome')

Rigoletto
Quel vecchio maledivami!... Pari siamo! Io la lingua, egli ha il pugnale;
1
l'uomo son io che ride, ei quel che spegne!
2
Oh, uomini! oh, natura! Vil scellerato mi faceste voi! Oh, rabbia! esser difforme! esser buffone!
3
Non dover, non poter altro che ridere! Il retaggio d'ogni uom m'è tolto: il pianto!
4
Questo padrone mio, giovin, giocondo, sì possente, bello, sonnecchiando mi dice: Fa' ch'io rida, buffone! Forzarmi deggio e farlo!
5
Ma in altr'uomo qui mi cangio!... Quel vecchio maledivami! Tal pensiero perché conturba ognor la mente mia?
6
Rigoletto
That old man cursed me!... We are equals! I have my tongue, he has his dagger;
1
I am the man who laughs, he is the one who kills!
2
Oh men! Oh nature! It is you who made me a vile wretch! Oh rage! To be deformed! To be a buffoon!
3
Not to be allowed, not to be able to do anything but laugh! The birthright of every human being is denied me: weeping!
4
This master of mine—young, carefree, so powerful, handsome—says to me between yawns: 'Make me laugh, jester!' And I must force myself and do it!
5
[Entering his courtyard] Yet here I transform into another man!... That old man cursed me! Why does that thought keep troubling my mind?
6
Gilda
Gualtier Maldè... nome di lui sì caro! Ti scolpisci nel core innamorato!
7
Caro nome che il mio cor festi primo palpitar,
8
le delizie dell'amor mi dêi sempre rammentar!
9
Col pensier il mio desir a te sempre volerà,
10
e fin l'ultimo sospir, caro nome, tuo sarà! ... Gualtier Maldè!
11
Gilda
Gualtier Maldè... name of him so dear! Carve yourself into my enamored heart!
7
Dear name that first made my heart beat fast,
8
you must always remind me of the delights of love!
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In thought my desire will fly to you forever,
10
and even my very last breath, dear name, shall be yours! ... Gualtier Maldè!
11

Act II — 'Cortigiani, vil razza dannata'

An anteroom in the Ducal Palace; full-length portraits of the Duke and Duchess on the walls; doors leading to the Duke's private bedroom.

Scene 1 — Rigoletto's Aria ('Cortigiani, vil razza dannata')

Rigoletto
Cortigiani, vil razza dannata, per qual prezzo vendeste il mio bene?
12
A voi nulla per l'oro sconviene! Ma mia figlia è impagabil tesor! La rendete!
13
Quella porta, assassini, m'aprite!
14
Ah! voi tutti a me contro venite! Tutto il mondo. Ch'io pianga!
15
Marullo... signore, tu ch'hai l'alma gentil come il core, dimmi tu dove l'hanno nascosta?
16
Miei signori... perdono, pietate! Al vegliardo la figlia ridate! Ridonarla a voi nulla ora costa, tutto al mondo è tal figlia per me!
17
Rigoletto
Courtiers, vile, damned race—for what price did you sell my treasure?
12
For gold there is nothing you will not stoop to! But my daughter is a priceless treasure! Give her back!
13
Open that door for me, assassins!
14
Ah! You all come against me! All against me... Well then, see me weep!
15
Marullo... my lord, you whose soul is as gentle as your heart, tell me where they have hidden her?
16
My lords... pardon me, take pity! Give the old man back his daughter! To restore her costs you nothing now—and such a daughter is everything in the world to me!
17

Act III — 'La donna è mobile' • 'Bella figlia dell'amore' • 'The Curse!'

A desolate bank of the River Mincio at night; a half-ruined two-story riverside tavern run by the assassin Sparafucile and his sister Maddalena.

Scene 1 — The Duke's Canzone ('La donna è mobile') & The Quartet ('Bella figlia dell'amore')

Il Duca di Mantova
La donna è mobile qual piuma al vento, muta d'accento — e di pensiero.
18
Sempre un amabile, leggiadro viso, in pianto o in riso, — è menzognero.
19
È sempre misero chi a lei s'affida, chi le confida — mal cauto il core!
20
Pur mai non sentesi felice appieno chi su quel seno — non liba amore!
21
Rigoletto
(Egli è là!... morto pria...)
22
The Duke of Mantua
Woman is fickle as a feather in the wind, changing her words—and her thoughts.
18
Always a lovely, graceful face, in tears or in laughter—is deceitful.
19
Always wretched is the man who trusts her, who carelessly confides his heart to her!
20
Yet no man ever feels fully happy who does not drink love upon that bosom!
21
Rigoletto
[Outside the wall, to Gilda] (There he is!... Soon a dead man...)
22
Il Duca di Mantova
Bella figlia dell'amore, schiavo son de' vezzi tuoi; con un detto sol tu puoi le mie pene consolar.
23
Maddalena
Ah! ah! rido ben di core, ché tai baie costan poco; quanto valga il vostro gioco, mel credete, so apprezzar.
24
Gilda
Ah, così parlar d'amore! A me pur l'infame ho udito! Infelice cor tradito, per angoscia non scoppiar!
25
Rigoletto
Taci, il piangere non vale; ch'ei mentiva sei sicura. Taci, e mia sarà la cura la vendetta d'affrettar.
26
Il Duca di Mantova
(La donna è mobile qual piuma al vento, muta d'accento e di pensier!)
27
Rigoletto
Qual voce!... Illusion notturna è questa!... No! no! egli è desso! Maledizione! Chi è mai, chi è qui nel sacco?!... Mia figlia! Dio! mia Gilda!
28
Gilda
Lassù in cielo, vicina alle stelle, pregherò per voi... [Muore] — RIGOLETTO: Gilda! mia Gilda! È morta! Ah, la maledizione!
29
The Duke of Mantua
Fairest daughter of love, I am the slave of your charms; with one word alone you can console my pangs.
23
Maddalena
Ha! ha! I laugh with all my heart, for such tall tales cost very little; believe me, I know just how much your game is worth!
24
Gilda
[Outside the wall] Ah, to speak thus of love! Those exact words the wretch spoke to me too! Unhappy, betrayed heart, do not burst with anguish!
25
Rigoletto
[To Gilda] Hush, weeping avails nothing; now you are certain he was lying. Hush, and leave it to me to hasten our vengeance!
26
The Duke of Mantua
[Later at midnight, singing offstage in the distance while Rigoletto drags the sack] (Woman is fickle as a feather in the wind, changing her words and her thoughts!)
27
Rigoletto
What voice is that?!... Is this a nocturnal illusion?!... No! No! It is he himself! Damnation! Who then—who is here inside the sack?!... [Tearing it open in a flash of lightning] My daughter! God! My Gilda!
28
Gilda
GILDA: Up there in heaven, beside my mother, I shall pray for you both... [She dies.] — RIGOLETTO: Gilda! My Gilda! She is dead! Ah, the curse!
29
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