Aida

Giuseppe Verdi (1813–1901) (1871) • Khedivial Opera House, Cairo (24 December 1871)

High Priest Ramfis announces that Ethiopian forces led by King Amonasro have invaded the Nile valley and marched on Thebes, and that the goddess Isis has already named the supreme commander of Egypt's army. Left alone, young guard captain Radamès dreams of being chosen so he can lay a victor's wreath at the feet of his beloved Aida ('Celeste Aida'). When Radamès is indeed proclaimed general and the court thunders 'Ritorna vincitor!' ('Return victorious!'), Aida is left alone in agony: an Egyptian victory means the enslavement or death of her own father and brothers. After tricking Aida into confessing her love for Radamès, Princess Amneris joins the Pharaoh, High Priest Ramfis, and the populace at the gates of Thebes to celebrate Egypt's victory ('Gloria all'Egitto, ad Iside!'). Radamès is borne in triumph as the famous Aida trumpets blaze. When the Ethiopian captives are led in, Aida spots her father Amonasro among them and rushes into his arms. Whispering fiercely for her not to betray his royal rank, Amonasro tells the Pharaoh that the Ethiopian King died in battle and pleads for mercy on the prisoners. On the eve of her wedding to Radamès, Princess Amneris enters the Temple of Isis by the Nile to pray. Aida arrives veiled for a secret midnight tryst with Radamès; overcome by nostalgia, she bids farewell to her Ethiopian homeland ('O patria mia'). Suddenly her father Amonasro steps out from the shadows: promising Aida that she can have both her throne and Radamès's love, he threatens to curse her if she does not trick Radamès into revealing which route the Egyptian army will take to invade Ethiopia. When Radamès arrives, Aida persuades him to flee with her and asks which path avoids his troops; the moment Radamès names the gorges of Napata, Amonasro springs out proclaiming himself King of Ethiopia! Having refused Princess Amneris's offer to save his life if he renounces Aida, Radamès is condemned by Ramfis and the priests to be buried alive beneath the altar of the god Ptah (Vulcan). As the fatal stone slab seals him in darkness ('La fatal pietra sovra me si chiuse'), Radamès hears a sigh in the shadows: Aida, having learned of his sentence, secretly slipped into the vault ahead of time to die in his arms! While the priestesses chant to Ptah and a heartbroken Amneris weeps above their heads praying for peace ('Pace t'imploro'), the two lovers bid a serene farewell to the earth ('O terra, addio; addio, valle di pianti').

📜 Libretto Edition, Source Links & Other Versions
Libretto Edition Used on This Page
1871 Cairo / 1872 Milan Ricordi Edition (Antonio Ghislanzoni, after Auguste Mariette)
Primary Sources & Archives
Note on Other Librettos for This Opera

Historical Note: Commissioned by Khedive Ismail Pasha of Egypt for 150,000 gold francs to celebrate the modernizing of Cairo and the Khedivial Opera House (shortly after the opening of the Suez Canal in 1869), the premiere was delayed from January to December 1871 because the sets and costumes were trapped in Paris during the Franco-Prussian Siege! Prior to the 1872 Milan premiere at La Scala, Verdi composed the famous soprano aria 'O patria mia' in Act III.

🎭 Cast of Characters
Aida
An Ethiopian princess captured in war and enslaved at the Egyptian court as handmaiden to Princess Amneris; her royal identity is unknown to the Egyptians.
Radamès
Captain of the Egyptian Palace Guard, chosen by the goddess Isis to lead Egypt's army against Ethiopia; secretly in love with Aida.
Amneris
Daughter of the Pharaoh of Egypt; passionately in love with Radamès and fiercely jealous when she suspects Aida is her rival.
Amonasro
King of Ethiopia and Aida's father; captured in battle while disguising his royal rank, he ruthlessly uses his daughter's love to extract Egyptian military secrets.
Ramfis
High Priest of Egypt; the inflexible voice of theocracy and state law who presides over Radamès's trial and burial alive.
🗺️ Character Relationship & Drama Map
Original (IT)
Translation (EN) • English
Explanation • English

Act I — 'Celeste Aida' & 'Ritorna vincitor!'

A hall in the Royal Palace at Memphis; colonnades on either side; in the background, the grand gate revealing the temples and pyramids of Memphis.

Scene 1 — Radamès's Romance ('Se quel guerrier io fossi!... Celeste Aida')

Radamès
Se quel guerrier io fossi! se il mio sogno si avverasse!
1
Celeste Aida, forma divina,
2
mistico serto di luce e fior,
3
del mio pensiero tu sei regina,
4
tu di mia vita sei lo splendor.
5
Il tuo bel cielo vorrei ridarti, ergerti un trono vicino al sol!
6
Radamès
If only I were that warrior! If only my dream came true!
1
Heavenly Aida, divine form,
2
mystical garland of light and flowers,
3
of my thoughts you are the queen,
4
you are the splendor of my life.
5
I would restore your fair sky to you, and raise for you a throne near the sun!
6
Aida
Ritorna vincitor!... E dal mio labbro uscì l'empia parola!
7
Vincitor del padre mio... di lui che impugna l'armi per me,
8
per ridonarmi una patria, una reggia e il nome illustre che qui celar m'è forza!
9
I sacri nomi di padre... d'amante, né profferir poss'io, né ricordar...
10
Per l'un... per l'altro... confusa... tremante... io pianger vorrei... io vorrei pregar.
11
Numi, pietà del mio soffrir! Speme non v'ha pel mio dolor!
12
Aida
Return victorious!... And from my own lips came that impious word!
7
Conqueror of my father... of him who takes up arms for me,
8
to restore to me a homeland, a royal palace, and the illustrious name I am forced to hide here!
9
The sacred names of father... of lover, I can neither utter nor remember...
10
For the one... for the other... bewildered... trembling... I want to weep... I want to pray.
11
Gods, take pity on my suffering! There is no hope for my grief!
12

Act II — The Triumphal March ('Gloria all'Egitto, ad Iside!') & The Captive King

A grand avenue at the entrance to the city of Thebes; in the foreground a clump of palms; on the right the temple of Ammon; on the left a throne surmounted by a purple canopy; in the background a triumphal arch.

Scene 2 — Triumphal March & Act II Finale ('Gloria all'Egitto' ... 'Quest'assisa ch'io vesto')

CORO
Gloria all'Egitto, ad Iside che il sacro suol protegge!
13
Al Re che il Delta regge inni festosi alziam!
14
Ramfis
Della vittoria gl'arbitri supremi il guardo ergete;
15
grazie rendete ai Numi nel fortunato dì!
16
CORO
Glory to Egypt, to Isis who protects our sacred soil!
13
To the King who rules the Delta let us raise festive hymns!
14
Ramfis
Raise your eyes to the supreme arbiters of victory;
15
give thanks to the Gods on this fortunate day!
16
Amonasro
Non mi tradir! ... Quest'assisa ch'io vesto vi dica
17
che il mio Re, la mia patria ho difeso:
18
fu la sorte a nostr'armi nemica...
19
Se l'amor della patria è delitto, siam rei tutti, siam pronti a morir!
20
Ma tu, Re, tu signore possente, a costoro ti mostra clemente;
21
oggi noi siam percossi dal fato, doman voi potria il fato colpir.
22
Amonasro
[To Aida] Do not betray me! ... [To the King] Let this uniform I wear tell you
17
that I defended my King and my homeland:
18
fate was hostile to our arms...
19
If love of one's homeland is a crime, we are all guilty, we are ready to die!
20
But you, O King, mighty lord, show yourself merciful to these captives;
21
today we are struck down by fate; tomorrow fate could strike you.
22

Act III — Night on the Nile ('O patria mia' & The Pass of Napata)

The banks of the Nile; granite rocks overgrown with palms; on the summit of the rocks, the Temple of Isis half-hidden among foliage; a starry night, bright moonlight.

Scene 1 — Aida's Romance ('Qui Radamès verrà!... O patria mia') & The Betrayal of Napata

Aida
Qui Radamès verrà!... Che vorrà dirmi? Io tremo!
23
Ah! se tu vieni a recarmi, o crudel, l'ultimo addio,
24
del Nilo i cupi vortici mi daran tomba... e pace forse!
25
O patria mia, mai più ti rivedrò!
26
O cieli azzurri, o dolci aure native, dove sereno il mio mattin brillò...
27
O fresche valli, o queto asil beato... mai più ti rivedrò!
28
Aida
Radamès will come here!... What will he want to tell me? I tremble!
23
Ah! if you come to bring me, O cruel one, your last farewell,
24
the dark whirlpools of the Nile will give me a tomb... and perhaps peace!
25
O my homeland, never more shall I see you again!
26
O azure skies, O sweet native breezes, where the morning of my life shone serenely...
27
O cool valleys, O quiet blessed refuge... never more shall I see you again!
28
Aida
Fuggiam gli ardori inospiti di queste lande ignude;
29
una novella patria al nostro amor si schiude...
30
Ma dimmi: per qual via eviterem le schiere degli armati?
31
Radamès
Il sentier scelto dai nostri a piombar sul nemico fia deserto fino a domani... Le gole di Napata!
32
Amonasro
Le gole di Napata! Ivi saranno i miei!... D'Aida il padre e degli Etiopi il Re!
33
Radamès
Tu! Amonasro!... Tu! il Re?... Numi! che dissi?... Io son disonorato!
34
Aida
Let us flee the inhospitable heat of these barren lands;
29
a new homeland opens up to our love...
30
But tell me: by what route shall we avoid the ranks of armed soldiers?
31
Radamès
The path chosen by our troops to fall upon the enemy will be deserted until tomorrow... The gorges of Napata!
32
Amonasro
The gorges of Napata! My men will be there!... I am Aida's father and King of the Ethiopians!
33
Radamès
You! Amonasro!... You! the King?... Gods! what have I said?... I am dishonored!
34

Act IV — The Tomb ('La fatal pietra' & 'O terra, addio')

A split-level stage: the upper level represents the interior of the Temple of Vulcan (Ptah), glittering with gold and light; the lower level is a dark underground vault; two priests are lowering the massive stone slab that seals the vault.

Scene 2 — Final Duet ('La fatal pietra sovra me si chiuse' ... 'O terra, addio')

Radamès
La fatal pietra sovra me si chiuse... Ecco la tomba mia.
35
Del dì la luce più non vedrò... Non rivedrò più Aida!
36
Aida
Presago il core della tua condanna, in questa tomba che per te s'apriva
37
io penetrai furtiva... e qui lontana da ogni umano sguardo
38
nel tuo cor bramai morir!
39
Radamès
Morir! sì pura e bella! Morir per me d'amore...
40
Radamès
The fatal stone has closed above me... Behold my tomb.
35
The light of day I shall see no more... Never again shall I see Aida!
36
Aida
My heart foreboding your sentence, into this tomb that was being opened for you
37
I crept in secretly... and here, far from every human gaze,
38
upon your heart I longed to die!
39
Radamès
To die! So pure and lovely! To die for me out of love...
40
Aida • Radamès
O terra, addio; addio, valle di pianti...
41
sogno di gaudio che in dolor svanì...
42
A noi si schiude il ciel e l'alme erranti volano al raggio dell'eterno dì.
43
Amneris
Pace t'imploro, salma adorata... Isi placata ti schiuda il ciel!
44
Aida • Radamès
O earth, farewell; farewell, valley of tears...
41
dream of joy that vanished in sorrow...
42
Heaven opens to us, and our wandering souls fly toward the radiance of eternal day.
43
Amneris
Peace I implore for you, adored ashes... may appeased Isis open heaven to you!
44
Can't find your favorite opera or language translation?